By Daniel Yun
CEO, Raintree Pictures/ Vice President, Productions 5, Television
Corporation of Singapore
For Words
Recently, there has been a flurry of activity in the Singapore
film industry. I think there are three factors responsible for
this - the success of Money No Enough, the establishment of
the Singapore Film Commission and the profile of Raintree Pictures.
There
are expectations of Raintree Pictures. To at least provide the
output level to sustain a semblance of a movie industry. As
Raintree Pictures is a subsidiary of the Television Corporation
of Singapore (TCS) and Temasek Holdings, expectations are higher
in relation to our production resources and experience.
As
someone heading Raintree Pictures and English productions for
TCS, I see it somewhat differently. Raintree Pictures is the
first movie company in Singapore. We are not a production house,
a mere investor, or a distribution company. We are a movie company
that looks at the entire business of movie making. From the
inception of an idea to getting it green lit, producing it,
marketing it to as many markets as possible. The pioneers of
the movie industry in Singapore, for example Eric Khoo, would
rather just be a director. Jack Neo would rather just concentrate
on being an artiste. But then, there was no movie company looking
at the business and they had to set up their own companies or
look for investors
When we talk about movie
making, invariably being a scriptwriter, a producer, a director,
or even an artiste comes to mind. There is no awareness as yet
beyond the creative product. Yet there is a whole industry in
distribution, project development and investment of movies.
Here there is a lack of understanding of the business aspects
of movie making. This ignorance is critical and is one of the
reasons why the movie business is wrapped up in mystery. More
focus on these areas would debunk the myth that the movie business
is exceptionally risky. In reality it is no more risky than
real estate or retail.
The Hong Kong movie industry
is at its lowest point. For Singapore and any other Asian country,
any serious player should see this period as a window of opportunity,
as the entry level is also at its lowest. A new player also
needs to understand why the Hong Kong movie industry has managed
to be the only country in Asia to produce films that travel
to several markets. And to understand why it has almost collapsed
in the last few years.